Taking stock
It has been a year since I took a buy-out from the Patriot-News, and what a year it has been.
I had really expected to work there until I retired. At age 55, I felt like I was at the top of my game as a journalist, and proved it one last time with a long investigative piece on the 1969 unsolved murder of Penn State graduate student Betsy Aardsma, who was from my hometown of Holland, Michigan. But I left because the future didn't look very bright. I had been advised by management that I could be transferred to a telemarketing center or the crew that cleans the presses overnight if I did not choose the buy-out, and in no case would be permitted to continue doing the sort of journalism I loved. So I left, deciding to try a career change to documentary filmmaking.
I was accepted into the Institute for Documentary Filmmaking, a six-month graduate program at George Washington University. I commuted down to D.C. twice a week and enjoyed the intellectual challenge of applying what I had learned as a print journalist to a new and related profession. I learned much. But i was troubled by the open disdain for journalism expressed regularly by the woman who heads the program. And I was twice told (and the class, too, in one of the instances) that documentary filmmaking is "a business for young people," filmmakers like Albert Maysles notwithstanding. I concluded that she saw her program as being more about training production assistants, the young foot soldiers of the film industry, than about training filmmakers and that old guys like me just didn't fit into the plan. But they were happy to take my tuition.
For being located in Washington, D.C., you would think the Institute for Documentary Filmmaking would take advantage of the rich mixture of politics, policy and humanity in the capital and produce some outstanding student films. But that isn't very often the case. One year the student film was about hotdog eating contests. The film to which I was consigned was about bicycle polo. A "Lord of the Flies" atmosphere develops in the film groups and is indeed expected and encouraged. But enough. Like I said, I learned a lot, but the wounds have not healed and I wouldn't recommend the Institute for Documentary Filmmaking to older professionals, especially men, contemplating a career change.
Bite the bullet and go to a two-year program like the Documentary Institute, a renowned documentary school which has just moved to Wake Forest University in North Carolina from the University of Florida, after the Florida Legislature slashed its funding. I suspect the funding assault may have been in part because of the string of socially significant and interesting student documentaries the school has produced, which probably finally pissed off enough powerful people in the Sunshine State. If you have dreams of being a director and not a production assistant, this program or one like it is the one for you.
Meanwhile, I had received a contract from Globe Pequot Press to write an updated version of my book on the Centralia Mine Fire, Unseen Danger. I finished that in April, and Fire Underground: The Ongoing Tragedy of the Centralia Mine Fire, was published Oct. 1. I am now working on a new book, The Epidemic, about a terrible typhoid epidemic in Ithaca, N.Y., in 1903. The company responsible for that became the company responsible for the Three Mile Island nuclear accident in 1979.
Can I make it as an author of books and the writer/director/producer of the occasional short film? That remains to be seen. The economics are tough, and I have already begun to search for a "day job" to help pay the bills. Fortunately my wife has a good job and benefits, so the pressure is somewhat reduced, but not gone entirely.
Have a happy Thanksgiving, and I'll be back soon.